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Art
Encounter
Awesome
Art
by Regina McCarthy
and Mary Hannigan
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One of the students
from Garin Elementary School went with her parents on a
trip to Europe, and in a museum saw Rembrandt’s painting
called “The Night Watch.” The work of art stirred
the little girl’s emotions. She was so excited about
seeing the painting that when she returned she enthusiastically
shared her experience with us, saying, “I saw ‘The
Night Watch’.... It was so great!”
How could a thing like that happen? How is it possible to
instill a sense of passion for the fine arts into the hearts
and minds of elementary school students? We think we have
found ways to do just that!
Instilling Art into Students’
Hearts and Minds
The two of us are part of a team of teachers and parents
in the Brentwood School District who are working together
on the Docent Art Program. This is our way of helping children
come to the kind of appreciation of the fine arts illustrated
by the reaction of the student from Garin Elementary school.
We create, in some cases at least, really awesome connections
between the young people and the art world.
As part of the program last year we presented “The
Night Watch” to a class of students. We discussed
Rembrandt and thoughtfully viewed a print of the picture
together. The class answered questions that were designed
to help them think about the work and to understand the
artist’s techniques and intentions.
The lesson prepared the elementary student who visited the
museum in Europe for the wonderful experience of seeing
the painting itself. She understood what she was seeing,
and could tell her parents about Rembrandt and share with
them some information she had learned about the painting.
Children from America typically find things like taking
a tour of an art museum with their parents to be a completely
boring experience. They are turned off by the activity,
in most cases, because of their complete lack of exposure
to the things they are looking at. They have no understanding
of what they are seeing, so they find the experience boring.
How could it be otherwise?
Awesome Art!
The need for the docent program seems self-evident. One
of the strong indications of the fact that we’re fulfilling
a real need is that parents regularly ask the docents about
art lessons for their children. Obviously, many of them
see the advantages of what we do.
We have discovered that it takes about three class sessions
to make the connection with a class of students. That seems
to be the length of time required for the kids to get into
the subject deeply enough to discover the fun and excitement
of learning about and creating art. After the third lesson
whenever the children see us they always ask things like,
“When are we going to do art?” “Are we
going to do art today?”
Besides classroom-based instruction, we also conduct out-of-classroom
experiences. One of our great successes was bringing in
the Diego Rivera project last year, which kicked art awareness
in the schools into a higher gear.
Getting Our Hands on the Arts
We don’t merely examine the works of great artists,
we also get the children busy creating art for themselves.
We cover such concepts as use of space in a painting and
how to use various media, such as paints, pastels, charcoal,
pencils, markers, crayons, ink, etc.
In one class we studied the work of Louise Nevelson who
created famous wall sculptures. After examining Nevelson’s
work, we decided to create a wall sculpture of our own.
The children ransacked their closets and drawers to find
things like shoe boxes, paper towel rolls, buttons, and
pipe cleaners. Using these common items we all worked together
to create our own wall sculpture.
We call our art docent program “Awesome Art”
because we believe that the art we show to the students
and that they create themselves really is awesome. All the
students in the class who created that wall art would enthusiastically
agree that our wall sculpture was an awesome piece of work.
After completing our objet de art, we stood back, looked
at it carefully, and unanimously concluded that the act
of creation had been a completely successful effort.
The docent program enlists other community resources to
help bring the arts to our classrooms. For example, two
members from the Watercolor Association of California taught
one of the 3rd grade classes how to do watercolors, showing
them interesting techniques for creating sky and water effects.
The Discover Art League is very active in our community.
Sue Clanton taught a watercolor/oil/pastel class in one
of our schools. Another member, Juli Mijares, from the Brentwood
Press, conducted classes on photography at Garin School.
Garin School has been the school that initially carried
the torch in getting the docent program started. The teachers
and parents were very supportive. Mrs. Byrnne, a 3rd Grade
Teacher, has not only been an enthusiastic supporter, but
two years ago she applied for a thousand-dollar grant from
the school district to help fund the program.
The people at Garin School opened wide their arms in embracing
the program that we were bringing to them. Tricia Cox still
continues to carry on the work of the docent program at
Garin.
Funding and Staffing Awesome
Art
As might be imagined, we’re funding the Awesome Art
project on a shoestring. Especially during this current
time of declining resources we’ve had to dig deep
to find the finances to meet even the limited expenses that
the program requires. All of us volunteers have, at times,
funded our projects out of our own pockets.
When we began the program, we were able to use some consumables
from the particular classroom we were presenting in —
paper, crayons, poster board, etc. But now school finances
are so tight we’ve been cut off from even that resource.
Jan Melloni, President of the Art Society, has been a huge
help in locating funds to support our work in the schools.
She helped us fund the wonderfully successful Diego Rivera
exhibit last year. This year she applied for a grant from
Mervyn’s/Target to provide funds.
We sometimes have a problem recruiting parents because many
of them feel unqualified if they don’t have art talent
or formal art learning. However, the docent program is more
like bringing an art museum or an art studio to the students
rather than like teaching a formal class.
The actual learning is easy to administer because our instructional
materials provide all the necessary information and directions.
Anyone is capable of using one of our lessons to energize
children in appreciating and creating art. The main requirement
for people who help with the docent program is to be enthusiastic
about the arts.
Defining Goals and
Implementing Resources
We’re not working in a political vacuum trying to
implement our arts education program. In 1990 Congress passed
the Educate America Act, which defined standards for education,
including setting specific standards for the arts. The California
Department of Education defined statewide standards based
on that act.
State and local districts are beginning to change their
attitudes toward the arts. We both served on the Art Committee
for the school district, headed by Mary Black, and began
talking about how to implement the state standards in our
local school district.
California schools are facing particular challenges in meeting
the state-mandated standards for the arts because of the
absence of regular art instruction in the classrooms. The
Brentwood School District lacks resources to do art because
of the current budget crunch. It seems that during difficult
times the Visual Arts Program becomes the first thing to
get slashed from the curriculum. What cannot be done on
a professional level must be done by our volunteers in the
docent program.
A Usable Curriculum for Classroom
Education
Creating an appropriate art curriculum, which would really
permit the docent program to respond to the state-mandated
standards, was a real challenge. Fortunately, we discovered
Barbara Herberholz, a gifted artist and teacher specializing
in teaching teachers how to teach art. Barbara had created
an instructional program and designed learning modules that
exactly suited our needs.
Barbara is providing materials for our volunteer-based program
for a minimal fee. Her materials are very age-appropriate
and grade-appropriate. They also tie in directly with California
State Standards as mandated by the Federal Government discussed
above. The Arts Commission and the Arts Society provided
the money to purchase the instructional program.
Especially for the older grades, Barbara’s program
is multi-disciplinary. It is literacy based with a lot of
extensions — for example, writing a poem to describe
a work of art. The vice principal at Ron Nunn was especially
delighted with this. He is now at Loma Vista and we’re
planning to get this program started there with him helping
us. In a few years we would like to see the program extend
into all the schools.
It took a year to sell this to the school staff in the first
school, Paul Krey Elementary. The staff ultimately committed
to three years of helping to manage the docent program.
The Paul Krey Parents Club conducted a fund raiser and raised
$4,000 in seed money to get the program launched.
We now have 41 volunteers at Paul Krey. We are bringing
art to many of the classrooms more than once a month, using
supplementary materials to fill in the extra classroom sessions.
Some teachers have requested that lessons be provided once
a week and, in some classes, we are actually doing this.
Expanding Art Education Throughout
the District
We are currently in four of the seven schools in the Brentwood
School District. We would like to see the docent program
go into all of the elementary schools, including the two
new ones being planned.
A new volunteer, Kindel Buckley, has recently stepped forward
at Ron Nunn. Kindel got interested in the docent project
and took it to the principal at Ron Nunn who was elated
at the prospect of doing this at his school. Kindel is planning
to begin teaching the 4th grade lessons in her son’s
class.
Two docents are team-teaching the art program in Mrs. Alan’s
first grade class at Brentwood Elementary School. Margo
Olsen, the principal, is really excited about the program.
We introduced the docent program to her last year and she
said that her 4th and 5th grade teachers were really looking
forward to it.
Future Plans
January — Stanley Mouse is a noted artist who did
the cover art for some of the most famous bands in Rock
& Roll history, such as the Beatles, Eric Clapton, Janis
Joplin, Led Zeppelin, Jimi Hendrix, Journey, the Steve Miller
Band, and the Grateful Dead. Mouse will conduct seminars
for students from 3rd through 7th Grade.
Teachers from the school district will prepare the students
to understand Stanley Mouse’s contribution to the
popular art scene. After exposure to Mouse’s vision
and techniques, students will be encouraged to design their
own art covers.
We are expanding the art docent program into other areas.
For example, we are planning to bring pottery and clay work
into the classrooms.
May — We are planning to sponsor a district-wide art
show, with all schools displaying their artwork in the Brentwood
Arts Commission Gallery at the Business and Technology Incubator
on Sand Creek Road.
Mervyn’s and Target donated $2,500 to the Brentwood
Arts Society to help matte and frame student artwork for
this show. We are really excited about this; it will bring
the entire community together. Parents, teachers, and students
will all be gathering around fine arts.
What’s Important
We believe that instruction in the arts should be viewed
as foundational learning and not just as some ancillary
study that can be added as an appendage to children’s
educational experiences when times are good and then discarded
when times get hard and budgets get tight.
Someone said about the graphic arts, “Art can be learned
like any other subject, and should be. It is the foundation
for effective visual perception and development of visual
perception is fundamental to learning in any field.”
Well, that sounds pretty important, doesn’t it? If
arts education does help us to be able to really look at
the world around us, let’s do whatever we can to keep
our children from growing up with visual impairment caused
by the lack of opportunity to develop this important faculty.
°
If you would like to volunteer your time or money in
support of this worthy program, send an email to editors@110mag.com
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